The same eye that composes a photograph also guides a brush — observation as the discipline, form as the language, paint as the voice.
Art is the language where code falls short.
Painting and drawing are, at their core, disciplines of seeing. The act of carefully observing light, shadow, proportion, and form — then translating that onto paper or canvas — trains a quality of attention that spills over into everything else: engineering, photography, problem-solving.
My practice is rooted in representational art — subjects drawn from daily life, the landscapes of the Kathmandu valley, portraits, and still life — explored across watercolour, graphite, ink, and oil pastel. Each work is a small act of noticing.
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